Murray A. Lightburn’s Deeply Personal New Solo Album ‘Once Upon a Time in Montréal’ Out Now Mar 31, 2023
“Murray A. Lightburn’s smooth vocals shine on this elegant jazz tour de force” – Dominionated
Murray A. Lightburn, the longtime frontman of Montreal’s acclaimed The Dears, returns today with his deeply personal new solo album, Once Upon A Time In Montreal, available digitally, along with a vinyl edition available online and in stores via Dangerbird Records. Lightburn will celebrate in his hometown of Montreal on April 15 at La Sala Rossa. Tickets available here.
The album, which Lightburn jokes is an audio version of a biopic, was inspired by the passing of his father, a jazz musician from Belize who moved to Montreal via New York to reconnect with his teenage sweetheart. The two were married for 56 years, until he passed in April 2020 in a Quebec nursing home where he’d been living with Alzheimer’s.
Despite growing up with the man, Lightburn—the youngest brother of three—says his father “was almost a complete stranger to me. I could almost count the conversations we had, and none of them were very meaningful. I had to deduce that our happy moments were listening to Expos games together. I never knew how he felt about my career or the things I’d achieved—all of which I got from him.”
Lightburn’s father was a saxophonist who worshiped Coltrane. There’s no hard bop on Once Upon A Time in Montreal, but it does feature an array of Montreal jazz players. Like this album’s predecessor, 2019’s Hear Me Out, Lightburn is in full crooner mode, distilling the passion and intensity of The Dears into gentle arrangements that feature an orchestral section, drawing on late-’60s, early-’70s folk/jazz/pop: Dionne Warwick, Nick Drake, Bill Withers, Serge Gainsbourg, Al Green, etc. While the influences might be obvious, the end result is singular and without peer.
After the patriarch passed, Murray’s 86-year-old mother started revealing tender details of their life together. “She painted a portrait of a man that I had never met in my life,” says the songwriter. “I then pieced the story together.” He didn’t yet know he was writing a narrative album. The first batch of songs were written as part of the grieving process—keeping busy, in the way that is most natural for a songwriter with an internationally acclaimed 25-year career. Some other projects intervened—including the original score for the acclaimed film, I Like Movies – out now via Ting Dun – before Lightburn doubled down and finished.
Once Upon A Time In Montreal was produced by Howard Bilerman (Leonard Cohen, The Weather Station, Godspeed You! Black Emperor), who Lightburn worked with on Hear Me Out. The album features Dears drummer Jeff Luciani along with a number of talented, local jazz players, including Frank Lozano, who delivers a soaring sax solo on the title track, which for Murray conjured the ghost of his father, who—after abandoning music when he became a born-again Christian—had picked up his sax again in the 2000s to play on two Dears songs. As soon as Lozano finished, “I knew it was a 400-foot home run,” says Lightburn. “I knew it was something that would hold. I knew also at that moment how much my dad would love this record. Even if he never told me, I know that it would be on repeat in his car if he was still with us and driving around. That was my motivation—to make something I know he would love. It’s not indie rock, you know?”
04/15 – Montreal, PQ @ La Sala Rossa
Once Upon A Time In Montreal track list:
- Dumpster Gold
- No New Deaths Today
- In The Kingdom Of Heaven
- The Only One I Want To Hear
- Oh But My Heart Has Never Been Dark
- Reaching Out For Love
- Once Upon A Time In Montreal
- Girl You’ve Got To Let Me Go
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